Importance Score: 65 / 100 🔴
Theater Review: “Old Friends” – A Sondheim Celebration on Broadway
Theater Review: In a dazzling tribute to Stephen Sondheim, the Broadway musical revue “Old Friends” starring Bernadette Peters and Lea Salonga has premiered at the Samuel J. Friedman Theatre. Peters evokes her iconic role as Dot from “Sunday in the Park with George” in this two-act performance, lasting approximately two hours and 35 minutes, including one intermission, located at 261 West 47th Street. This production, a magnificent homage to Sondheim’s timeless work, promises an unforgettable theatrical experience.
This symbolic gesture resonated deeply with the audience, many of whom were visibly moved by the return of the esteemed Broadway icon to this cherished role, even fleetingly.
A Divine Celebration of Sondheim’s Legacy
“Sunday,” this emotionally rich and elaborate ensemble number, is just one of 42 musical pieces featured in “Old Friends.” This exceptionally captivating and truly magnificent homage to Sondheim’s enduring influence, conceived by producer Cameron Mackintosh, debuted Tuesday at the Samuel J. Friedman Theatre.
It is a genuinely unique and treasured opportunity to witness performers of the caliber of Peters and accomplished co-stars such as Lea Salonga, supported by a vibrant 14-piece orchestra, within the intimate setting of a venue accommodating only 600 spectators.
The spectacular array of sound originates from a vast selection of the late composer’s musicals, including “A Little Night Music,” “Sweeney Todd,” “Company,” “Follies,” and “Into the Woods,” making the close proximity to the stage all the more thrilling for devoted enthusiasts.
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More Than Just For Sondheim Fans
And, it is anticipated that this performance will also captivate many Sondheim newcomers, even those unfamiliar with the nuances of his extensive repertoire.
The ambiance here is distinct – more energetic than typical – possibly influenced by its London origins, where musical productions often embrace a grander scale.
For this presentation, skillfully directed by Matthew Bourne, this heightened energy is welcome. Sondheim tributes can occasionally lean towards the overly formal and somber. However, “Old Friends,” while certainly eliciting emotional responses, is also brimming with exuberance and wit.
Bernadette Peters: A Masterclass in Performance
Peters, for example, delivers a hilarious rendition as Mazeppa, the stripper from “Gypsy,” complete with the spirited trumpet call, and is equally delightful when she playfully dons Little Red’s hood for “I Know Things Now” from “Into the Woods.”
Just as powerfully, the Tony Award-winning actress profoundly moves the audience with softer ballads she has interpreted numerous times on Broadway, “Losing My Mind” and “Send In The Clowns.” Having previously portrayed Sally in “Follies” and Desiree in “Night Music” on Broadway over a decade ago, Peters’ interpretations now possess even greater depth and emotional resonance.
Peters and Salonga – whose vocal prowess is incredibly impressive – are accompanied by 17 other performers, each contributing splendidly to the overall quality of the production.
West End Stars Shine on Broadway
A particular delight for musical theatre aficionados is the opportunity to witness the show’s West End cast members, many of whom are making their Broadway debuts following established careers in London.
Joanna Riding expertly handles the rapid-fire anxieties of a hesitant bride in “I’m Not Getting Married Today,” and the commanding Jeremy Secomb embodies the Sweeney Todd of one’s darkest fantasies.
Bonnie Langford, another British talent, was especially captivating, powerfully performing the defiant anthem “I’m Still Here” from “Follies.” Remarkably, this marks only her second appearance on Broadway since her debut as a child in “Gypsy” with Angela Lansbury in 1974, proving she is indeed still here and vibrantly contributing to the theatrical landscape.
American Talent Holds Its Own
However, the brilliance is not solely confined to the British contingent. The American performers deliver equally compelling performances.
Beth Leavel offers a biting and exceptionally humorous rendition of “Ladies Who Lunch.” Jacob Dickey delivered a knockout performance with his robust and rich baritone as the Big Bad Wolf in “Hello, Little Girl.” Having not seen him perform previously, his talent makes one eager to witness his future work.
While Peters’ most forceful numbers are imbued with deep sorrow and yearning, Salonga – celebrated for her refined dramatic vocals in “Miss Saigon” and “Les Miserables” – surprises with her comedic flair and spirited, almost brash, stage presence.
Lea Salonga’s Versatility
One might not immediately envision her as a cunning Mrs. Lovett or a forceful Madam Rose. “The Worst Pies in London” and “Everything’s Coming Up Roses” represent ambitious choices for this actress, yet she triumphs in both at the Friedman. More akin to her signature style is her poignant rendition of “Loving You” from “Passion.”
A Moving Finale
After an evening encompassing pain, emotion, and humor, the profoundly affecting culmination features a slideshow of images of Sondheim, who passed away in 2021, juxtaposed with images of his cherished “old friends,” as the company delivers stunning arrangements of “Not a Day Goes By” and “Being Alive.”
Sondheim, in essence, stands alongside a remarkable company of actors, side by side in spirit and artistry.