Importance Score: 20 / 100 đ”
Paul McCartney Reveals John Lennon Track Among Essential Songs
Paul McCartney, the celebrated musician, once curated a list of songs he deemed essential to his personal soundtrack, notably placing a lesser-known John Lennon composition at the very top. Speaking with Roy Plomley on BBC Radio 4’s esteemed program “Desert Island Discs,” a broadcast running since 1942, the iconic Beatles member shared insights into the music he would choose if deserted on an island.
The Songs McCartney Cherishes
In a heartfelt moment from the 1982 interview, McCartney highlighted a deeply personal John Lennon song, just two years after Lennon’s untimely death. Here are the tracks Paul McCartney selected as indispensable:
âHeartbreak Hotelâ by Elvis Presley
Released in 1956, âHeartbreak Hotelâ stands as a seminal recording that profoundly influenced subsequent generations of musicians. It frequently appears on curated lists of beloved tracks from other notable artists.
McCartney reflected, âFor me, it transports me back to my early days of purchasing records. Before that era, music was largely dominated by swing and bebop, but suddenly rock and roll exploded onto the scene. Elvis was among the first to genuinely capture my attention. I vividly remember being at school when this record was released.â
âSweet Little Sixteenâ by Chuck Berry
Chuck Berry, a transformative figure celebrated for his fusion of rock and roll and R&B during the 1950s, is represented by his significant hit âSweet Little Sixteenâ in Paul McCartney’s selection. This track epitomizes Berry’s enduring musical legacy.
âFor many of todayâs selections, I could have easily chosen other songs from these artists’ extensive catalogs,â McCartney explained. âWith Chuck Berry, I opted for âSweet Little Sixteenâ as it encapsulates his essence for me.â
âGloriana: Courtly Dances: La Voltaâ by Benjamin Britten and Julian Bream
Departing from typical rock and roll preferences, McCartney included a classical piece. âGlorianaâ, initially released in 1953, musically paints a vivid ballroom scene set within Whitehall Palace’s Grand Room. It encompasses various dances, including “La Volta,” a spirited dance where women are lifted by their partners.
McCartney commented: âWhile my natural inclination leans towards rock’n’roll, I deeply appreciate classical music. Although my knowledge is limited, I am drawn to the captivating melodies within classical compositions. Ultimately, there is an undeniable quality that resonates with me, and it’s something Iâve cherished for many years.â
âBe-Bop-A-Lulaâ by Gene Vincent
Gene Vincent, a pioneer of rockabilly, revolutionized music with the quintessential anthem âBe-Bop-A-Lulaâ (1956). The song is renowned for its sharp guitar riffs, prominent snare drum, and breathless vocal delivery.
McCartney revealed this as âthe very first record I ever bought,â adding, âSo it holds a special significance for me. He performed it in the film The Girl Can’t Help It, and it was always a personal favorite. We later had the opportunity to meet Gene during our time in Hamburg. But as I mentioned, it was the first record I ever purchased, leaving a lasting impression.â
âSearchinââ by The Coasters
âSearchinââ by The Coasters narrates the story of a man determined to locate his love, even employing detective-like methods, evident in the lyrics âWell, Iâm searching, Yeah I’m gonna find her,â which reference popular figures of law enforcement.
âThis is a song we frequently performed at the Cavern Club with the Beatles,â Paul recalled. âWe had dedicated groups of fans there, and two girls named Chris and Val would often request, âSing Searchinâ, Paul! Sing Searchinâ!â So, we consistently included it; it was a crowd favorite.â
âTutti Fruttiâ by Little Richard
âTutti Fruttiâ, a 1955 rock and roll anthem by Little Richard, the self-proclaimed âarchitect of rock and roll,â is celebrated for its dynamic energy and marks a crucial point in the genre’s evolution.
âAgain, I selected just one track to represent his vast output,” McCartney stated. “But there are countless songs of his I admire. He’s been a friend since our days in Hamburg, Little Richard.â
âWalking in the Park with Eloiseâ by Wings
A deeply personal selection is âWalking in the Park with Eloiseâ, a jazz instrumental composed by Paul McCartney’s father, James “Jim” McCartney. Paulâs band Wings recorded and released it in 1974.
McCartney recounted a post-recording conversation with his father: âThis song was actually written by my dad. To my knowledge, it’s the only song he ever composed. I once asked him, âDad, you know that song you wrote?â He replied, âI didn’t write a song, son.â I clarified, âBut you did. Remember Walking in the Park with Eloise?â He then said, âNo, I didn’t write it; I just made it up.â I explained, âWell, these days, âmaking it upâ is considered writing it. You don’t necessarily have to physically write it down. Anyway, I’ve recorded it with some musicians in Nashville especially to play for my dad, as he really loved it.ââ
âBeautiful Boy (Darling Boy)â by John Lennon
McCartney’s top pick is âBeautiful Boy (Darling Boy)â by John Lennon. This poignant lullaby is dedicated to Lennonâs son Sean, conveying affection, encouragement, and a gentle outlook on life, featuring the iconic phrase, “Life is what happens to you while you’re busy making other plans.â
Paul conveyed his deep admiration for the song: âI intentionally haven’t chosen any Beatles songs or any of my own solo work. To truly encapsulate everything, I’ve selected a track from John Lennon’s album Double Fantasy, which I find exceptionally beautiful. It deeply moves me. Ultimately, I’d like to conclude by playing âBeautiful Boyâ.â
When pressed to choose a single song from his list of eight, the Beatle admitted, âIt would probably be âBeautiful Boy.â But itâs an incredibly difficult decision. I most likely would take that record by John.â
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