The evening opened with screenplay awards to a pair of Europeans: “Promising Young Woman’s” Emerald Fennell — for a story that dealt with sexual assault — and “The Father’s” Florian Zeller, both of whom also directed those films. (The latter accepted remotely, but most nominees were in Los Angeles.)
“Another Round,” the Danish movie, received the prize for international feature film.
Regina King opened the ceremony, referencing the recent verdict in the Derek Chauvin trial, and saying that she wouldn’t apologize for injecting politics into the show. As the mother of a Black son, she said, “I know the fear that so many live with, and no amount of fame or fortune changes that.”
Due to the pandemic, this year’s Oscars extended the awards calendar by two months and made what was described as a one-time-only exception allowing movies that premiered via streaming and weren’t released theatrically to compete. But those same factors also resulted in several movies that might have contended for awards being delayed beyond the eligibility window, hoping for a more traditional release — and greater box-office revenue — once theaters reopen.
As a result, five of the eight best-picture contenders premiered exclusively or simultaneously on streaming services, with Netflix amassing 35 nominations, more than any other distribution entity.
Award-show ratings have been in steep decline during the pandemic, and after record-low results for Emmys, Golden Globes and Grammys, the Oscars — which already hit a low point in 2020, when “Parasite” made best-picture history — are expected to be no exception. The focus has been, rather, on putting on the best possible show, and hoping for better in 2022.
The pre-show included a video urging people to return to theaters as the movie industry heads into the summer, using the hash tag #TheBigScreenIsBack.
source: cnn.com