“An American Werewolf in London” (Universal Pictures) has it all. Wit, intelligence, no role that is a throw-away, an expert blend of horror and comedy and an undertone that speaks clearly to the fear, resentment, superstition and misunderstandings that make up the human condition. A great ride from the director of “Animal House” and “The Blues Brothers” who pays homage to the classic Universal films and Gothic tragedy but is never mired in it.
The standout sequence is of course the near-flawless werewolf transformation (one of two) by master makeup artist Rick Baker, who won his first of many Academy Awards for his efforts and rightfully so. Shot, not in the dark as might have been the obvious choice back in the day, but in a brightly lit “apartment.” The transformation deftly balances revulsion, pain, loss of self and anguish with voyeurism, compassion, tragedy and wonderment all played out over Sam Cooke’s haunting cover of Blue Moon. Watch it!
- Jon Chaikin, senior manager, direct marketing & merchandising
