‘Superfine: Tailoring Black Style’ at the Met Explores the History of Black Dandyism

Importance Score: 45 / 100 🔵

Amidst the flashing cameras on the inaugural Monday in May, it is essential to recognize that the Met Gala surpasses a mere high-profile celebration: it serves as the premier event for an annual museum exhibition. This year, the soiree launches “**Superfine: Crafting Black Elegance**,” a display orchestrated by the Metropolitan Museum of Art’s Costume Institute. This exhibition delineates the impact of the Black dandy’s aesthetic evolution spanning over three centuries.

The Influence of Black Dandyism

The display scrutinizes how dandyism, a refined mode of dressing initially enforced on enslaved individuals, was reappropriated by Black fashion connoisseurs as a means of ascendancy and self-expression. This sartorialism can manifest in various forms, from a tailored three-piece suit to a flamboyant stage attire or a relaxed leather jacket adorned with opulent logos. Over 200 items in the exhibition underscore how Black dandies have employed their attire as both expressive and purpose-driven.

The Strategic Significance

Words from the Curator

“**Dandyism transcends mere clothing, attire, and accessories,**” remarked Monica L. Miller, the exhibition’s guest curator, and an Africana studies professor at Barnard College. “It often involves the **deliberate employment** of these elements during specific political eras and cultural junctions.”

The Curatorial Process

Professor Miller, whose 2009 tome, “**Slaves to Trends: Black Dandyism and the Shaping of Black Diasporic Identity,**” catalyzed the exhibition, combed through historical societies, museums, and private compilations to source pieces that pinpointed Black dandyism at pivotal moments in history. During a recent conversation in the Metropolitan Museum of Art’s basement ahead of the exhibition’s debut, she highlighted seven notable items for closer inspection.


1940s

The Iconic Zoot Suit


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