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Sequel Scene in Classic Hollywood Film Hailed as “Genius” by Movie Enthusiasts
Film aficionados are showering accolades upon the follow-up to a celebrated Hollywood motion picture, lauding a specific moment as a stroke of “genius.” The Godfather II, the cinematic continuation of the acclaimed original, The Godfather, starring Marlon Brando and Al Pacino, has captivated viewers once again. Al Pacino reprised his role in the subsequent installments, with admirers particularly singling out a scene near the conclusion of the second movie for exceptional praise, highlighting its impactful storytelling within the film sequel.
Fan Acclaim for Poignant Scene
A discussion thread on Reddit showcased widespread admiration among cinema devotees for the film’s culmination. The Godfather II, released merely two years after its predecessor, features Robert De Niro joining returning cast members Robert Duvall, Diane Keaton, and Talia Shire. The scene garnering significant attention involves Duvall, Shire, Pacino, and James Caan in a powerful ensemble moment.
Visual Storytelling Praised
One online commentator shared a side-by-side screenshot comparison from the movie, illustrating the perceived “genius” of the chosen visual composition both before and after a key plot development.
The post elaborated: “Genius – End of Godfather 2. Sonny in the frame has all the family around him and pay attention to where hes seated. Michael in the end is all alone and look at the backdrop to where Sonny was seated.” Fans swiftly echoed this sentiment, recognizing the scene as a filmmaking masterstroke that effectively underscores the sequel’s central themes.
Scene Deemed a Masterful Stroke of Filmmaking
One viewer articulated the scene’s impact: “It’s powerful on many levels. Shows Michael is the outcast, the one that didn’t fit and was purposefully rebelling against the family. That Sonny was the obvious follower of Vito. The one meant to be the next don. He fills the various familial roles absent his father (head of the table).”
The commentary continued, “But it also shows how Michael’s world also changed around him. Basically, everyone in the first shot is either dead or severely estranged from Michael by the end. Tom and Connie are the only remaining ones but he burns both bridges by the end.”
The user concluded, “So just a great simple shot that conveys so much. The world he didn’t want is now his. In the process he’s lost his entire family which was the core point of the enterprise in the first place. And at a certain point, Michael’s independence was also lost, he’s become another greedy mafiosi. Not dissimilar to the Black Hand (blanking on the character’s name – the mafioso in Little Italy in the Vito flashbacks).”
Transformation of Michael Corleone Highlighted
Another observer suggested the scene vividly depicts the “huge transformation” of the protagonist, Michael Corleone, brought to life by Al Pacino.
This user reflected: “Whenever I watch this scene there’s sort of a hindsight thing going on. When you first watch godfather Michael seems to have this huge transformation throughout the movie but after this scene I think to myself ‘oh, he was much further along than I thought.'”
Speculation on Potential Cameos
A third individual pondered potential enhancements to the scene, musing if a cameo from a previous cast member might have been impactful. “I wish Marlon Brando could have made an appearence but maybe less is more in this case,” they wrote.
However, another response offered a contrasting viewpoint: “Godfather 1 belonged to Brando. Godfather 2 was all De Niro’s. It’s because they both gave such iconic performances in their respective films that I think keeping Vito off screen worked so well.”