With conversation in our culture focused on systematic racism and the treatment of black people after the death of George Floyd while in the custody of Minneapolis police, some are reevaluating Hollywood’s on-screen depictions of racism.
And we have to tell you, some of them have not aged well.
Twitter was seething after the film directed by Tate Taylor and based on the same named 2009 novel written by Kathryn Stockett started trending as protests sprung up following Floyd’s death.
There were concerns even before the movie was released.
Partly because Taylor is a white man, who was tasked with shepherding a story about a pair of black maids, Aibileen Clark (played by Viola Davis) and Minny Jackson (played by Octavia Spencer), set in Jackson, Mississippi during the Civil Rights Movement.
Those voices grew louder after the film hit theaters, as many complained that it focused more on the white character of Eugenia “Skeeter” Phelan (played by Emma Stone).
And while her performance won Spencer a best supporting actress Oscar, Davis has since said she regrets taking the role.
Earlier this week, Bryce Dallas Howard, who played Hilly Holbrook in “The Help,” suggested ten other films to consider viewing to better learn about America’s history of racial inequity.
“The Legend of Bagger Vance’ (2000)
Directed by Robert Redford and starring Will Smith, Matt Damon, and Charlize Theron, “The Legend of Bagger Vance” has been slammed repeatedly for furthering the “magical Negro” trope.
That terminology was made popular in the early aughts by black director Spike Lee and refers to Hollywood’s use of a black character who serves to make the lives of white characters better.
In some cases the black character possesses supernatural qualities, as is the case with Smith’s character in the film, the mysterious golf caddy, Bagger Vance.
“Green Book” (2018)
Set in 1962, Ali plays musician Dr. Donald Shirley opposite Viggo Mortensen as his driver and bodyguard, Tony Vallelonga, in a dramatization of the pair’s real life friendship.
Member’s of Shirley’s family complained that the film was a “symphony of lies” in terms of his portrayal as estranged from his family.
“These guys help each other,” Farrelly said. “Tony Lip gets Don Shirley out of some earthly problems, but Don Shirley saves Tony Lip’s soul.”
“Song of the South” (1946)
Disney + declined to release “Song of the South” as part of their classics with the streaming service debuted.
The combination animated and live-action film offers up what are now viewed as stereotypical and offensive portrayals of African Americans — ranging from the black character’s dialect to their subservience to white characters.
The plot centers around a boy named Johnny (played by Bobby Driscoll), who is educated and entertained by lessons taught to him by a former slave named Uncle Remus (told by James Baskett).